News
Twenty Springs | Common Grounds
Exhibition of the sonic environment Twenty Springs stemming from the Sono-Choreographic Collectives collaborative research Common Grounds on per-sonifying permafrost data with Julia Boike from the Alfred Wegener Institut Potsdam, together with a Guided Concert and Listening Session at Malmö Konsthall from 18th-22nd of October 2023
Terra Ignota | Sonic Islands
SONIC ISLANDS – Mirrored perceptions between Tierra del Fuego + Rügen
March and September 2023
SONIC ISLANDS focuses on the various auditory aspects of the TERRA IGNOTAproject and is part of TIF 2023/24. We are interested in the meaning of sound as a semantic system and as a form of artistic articulation. Questions about origin, identity, intercultural understanding but also about perception, legibility and interaction with the environment, social processes and structures beyond visually connoted reference systems are the subject of our joint research. Listening and making audible to stimulate changes of perspective in the process of artistic research and knowledge production as well as in communicating to an audience.
Instrumentalities | Common Grounds
Concert Lecture of the Sono-Choreographic Collective at the Grand Opening of the new Academy for Theatre and Digitality, Dortmund – 2nd of September 2023 & at the Impuls Festival für Neue Musik, Leipzig – 13th of October
In Instrumentalities the Sono-Choreographic Collective unpacks aspects of their artistic-scientific research Common Grounds. Scaling 20 years of hourly environmental data into 60 minutes, this participatory concert-lecture presents some of the methods developed for listening, sensing and understanding climate change from an embodied perspective. These include various sonic and somatic techniques that connect the planetary scale with individual and collective sensory scales of participants. The concert-lecture unfolds around a table that is a hybrid surface for discourse, policy, strategy, negotiation, communication and communion.
Whiskers in Space at Sensing the Unknown
Exhibition Sensing the Unknown, part of Chengdu Biennale Time Gravity
16/07/2023 – 22/11/2023 at Chengdu Contemporary Art Museum
Curator: Philipp ZieglerArtists: AATB, Ani Liu 艾多•福伊鲁/ 梅洛迪 •穆塞特, Edo Fouilloux & Mélodie Mousset 安娜•马南金娜, Anna Manankina 贝恩德•林德曼 / 德里克 •豪芬, Bernd Lintermann & Derek Hauffen, 丹尼尔·卡诺加 Daniel Canogar, ecoLogicStudio , 郭城 Guo Cheng, 金允哲 Yunchul Kim, 卡思汀·艾葛琴 Kerstin Ergenzinger, 克丽斯塔·佐梅雷尔/劳伦·米尼奥诺 Christa Sommerer & Larent Mignonneau, 林博彦 Lam Pok Yin, 林科 Lin Ke, 刘窗 Liu Chuang, 刘娃 Liu Wa, 马克·李/曲晓宇/谢尔文·萨雷米, Marc Lee & lris Qu Xiaoyu & Shervin Saremi 迈克尔·比利茨基/ 卡米拉·B.里希特, Michael Bielicky & Kamila B.Richter, Quadrature, 徐文恺 aaajiao, 宇宙万物 Universal Everything, 朱斯蒂娜·埃马尔 Justine Emard
Instrumentalities | Common Grounds
Concert Lecture of the Sono-Choreographic Collective at “Have you tried turning it off and on again?” / Jahreskonferenz der Dramaturgischen Gesellschaft in Mühlheim Ruhr.
Titled Instrumentalities for Common Grounds, this participatory lecture-concert unpacks aspects of our work in Common Grounds, and presents some of the methods we developed for listening, sensing and understanding climate change from embedded perspectives. These include various scaling techniques that come together to establish what we call mental-mergings: Techniques that give access to sensing planetary phenomena and thus connecting the macro-global perspective with the microcosms of individual, somatic selves.
Terra Ignota field trip & forum
I am part of the just started Terra Ignota field trip 1.st of March – 13 th of March and forum 14.st of March – 17 th of March 23 at Tierra de Fuego Chile.
Here you find more information and can follow our journey.
Terra Ignota Forum (TIF) is a field laboratory that seeks to develop and implement a contemporary archive on the so-called “intercultural contact zone” (Selk’nam, Kawesqar and Yagán) located in Yendegaia National Park (YNP). The project is deployed in two stages, the first is the continuation of our interdisciplinary research in the territory and field forum (2023). The process and research will be documented and published in different media, individual artistic projects developed further and presented in the second stage to the public beginning of 2024 at the Universidad de Magallanes, Punta Arenas.
Article: Perspective on Listening to Permafrost
Julia Boike, Bnaya Halperin-Kaddari and me wrote an invited arcticle: Perspectives on Listening to Permafrost to contribute to the blog of the Cryospheric Sciences Division of the European Geosciences Union (EGU):
Common Grounds
The development of the sound and light installation of our Common Grounds collaborative artistic and scientific research project that sonifies environmental data from the permafrost research will be presented and discussed at the AWI campus in Potsdam
See details here.
Expeditions In Specific Territories @liebig12 Berlin
A sharing from sensing + sense-making between Montevideo + Rostock
Saturday 14.05.2022
16h – 22h
liebig12
Liebigstraße 12
10247 Berlin
U5 + M21 + M10 > FrankfurterTor
We share our work as a group of artists, researchers and urbanists from South America and Europe, who worked for two weeks in Montevideo and Rostock, reflecting on sound as a contextual phenomenon of urban space.
with: Florencia Curci (AR) Kerstin Ergenzinger (D) Cristian Espinoza (CL/UY) Fernando Godoy (CL) Nika Schmitt (NL) Rene Rissland (D) Lourdes Silva (UY) Carsten Stabenow (D) Pol Villasuso (UY) ZAGO (Eugenia González + Leonello Zambón) (AR)
Continue reading “Expeditions In Specific Territories @liebig12 Berlin”
sonochoreographic.net
Bnaya Halperin-Kaddari, Kiran Kumar we have finally finished our new Sono-Choreographic-Collective´s homepage with our research concepts and documentation from the last 2-3 years since we started our joint path. You are very welcome to visit and tune in @sonochoreographic.net
Height, Pace, Consistency
exhibition with Helene Appel and Pauline M’barek closing our shared Dorothea-Erxleben fellowships at the HBK Braunschweig
opening on the evening of the 1.2. with a concert performance of a new set of Playground#N from our Sono-Choreographic-Collective. Live but due to C-restriction only with a small group of invited participants.
exhibition times: 2.-18. 2. 22 from Mo–Fr: 14–18 Uhr Galerie der HBK Braunschweig (HBK Only)
External guest can make appointments with Sabine Maag: veranstaltungen(at)hbk-bs.de
Open Skies
parallel to the opening of Height, Pace, Consistency Helene Appel, Pauline M´barek and I launched the publication Open Skies. It is the documentation of our seminar collaboration at the HBK Braunschweig that started during the summer semester 2020. Throughout the digital maze of the pandemic we worked on a cross-media, space- & site-specfic exhibition project. As a result in June 2021 the students worked together for 11 days on the area of the H_LLE Braunschweig closing with a public exhibition weekend on the 26th and 27th of June.
Whiskers in Space at Device_art 7.021
Whiskers in Space are part of the exhibition program of Device_art festival of art, robotics and new technologies at Museum of Contemporary art in Zagreb by Kontejner.
As this year’s festival concept, “Machine Does Not Give Change” invites us to rethink our increasingly intimate relationship with technology in a time of constant unpredictability and profound changes. Device_art 7.021 is developed by Kontejner in collaboration with a group of curators from ZKM | Center for Art and Media from Karlsruhe and is conceived as a dialogue between the German and Croatian “device art” scene.
Expeditions in Specific Territory Rostock-Montevideo
Artistic Research Meeting by Sonic and Peripatetic Means in Dark Ecologies, Globalization and Crisis | MONTEVIDEO 2021 – ROSTOCK 2022
First expedition in Montevideo/Uruguay from November 1st – 14th. Participants: Kerstin Ergenzinger (DE), Nika Schmitt (DE/LU), Fernando Godoy (CL), Leonello Zambón (AR), Eugenia González (UY-AR), Lourdes Silva (UY), René Rissland (DE), Cristian Espinoza (CL/UY), Pol Villasuso (UY) and Carsten Stabenow (DE)
ongoing log: territorioespecifico.org
Pluvial @ Lab30
Pluvial at Lab30 Media Festival in Augsburg from the 28.10 – 31.10.2021
Lost Art Festival
Together with a great collection of other installation works Pluvial is part of the Lost Art Festival at an abandoned substation / Umspannwerk in Reinickendorf Berlin from the 24th – 26th of September.
9 Days 8 Nights
9 Days 8 Nights
sign, CIAT – Contemporary Institute for Art & Thought
ZOSSENER STRASSE 34, HH, KREUZBERG, BERLIN
HIDA X ATD Stipendium
With our project Common Grounds Sounding out Arctic Warming, Bnaya Halperin-Kaddari and I in collaboration with Julia Boike at AWI Potsdam won the HIDA X ATD Fellowship from the Helmholtz Information & Data Science Academy (HIDA) and the Academy for Theater and Digitality. We are really looking forward to dive into this joint exploration!
Image credit © Niko Bornemann
Polysensorial Navigations
23.11.2020 – Studiovisit Salon Digital
Online as part of the University of the Arts Bremen series of salon-style gatherings titled “Spectacle: Reenactments in the Arts, Design, Science and Technology.” Continue reading “Polysensorial Navigations”
Whistleblowers @ Dystopia Sound Art Festival Berlin
New work Whistleblowers in public space with Sono-Choreographic Collective at Dystopia Sound Art Festival Berlin: Oct. 16 – Nov. 01 2020 –
Sadly the public space installation was canceled by Deutsche Bahn, now at Alte Münze Foyer a solo electro-acoustic string-drum horn is chanting indoors in a windless-single channel version of the work.
Sono-Choreographic Collective contributes to herri #4
With our Sono-Choreographic Collective Bnaya Halperin-Kaddari, Kiran Kumar and myself contributed with “Playing Grounds: a polymodal essay” to the latest issue of the herri magazine.
Continue reading “Sono-Choreographic Collective contributes to herri #4”
Pluvial @ Ars Electronica
Pluvial just travelled to Linz and is part of the AIxMusic Festival Ars Electronica 2020 in „Kepler’s Garden“ JKU-Campus Linz.
Open to public from Friday 11th until Sunday 13th of September. You can read more about this years Ars Electronica program and about Pluvial.
Myopian Survey – Essay
Published in: Reenactments in Kunst, Gestaltung, Wissenschaft und Technologie Reenactments in Art, Design, Science and Technology Salon Digital Band / Vol. 1 – PDF
How many sleeps until tomorrow ?
An invitation to an online event through “Vierte Welt” Berlin. There will be a joint screening followed by a short talk. Please join with a comfortable screen and nice headphones.
Pluvial at KIT Düsseldorf
Open again and extended –> 21. Juni
Link catalog degree_show – out of KHM curated by Gertrud Peters and Mischa Kuball
15.2.-21.6.
Di-So 11-18h
KIT – Kunst im Tunnel
Mannesmannufer 1b
40213 Düsseldorf
Top Game
Gamified ritual for amplified tops, players, inductors and live-video.
A performative concert with Ensemble Musikfabrik
Sunday 3rd November 8pm
WDR Funkhaus Wallraffplatz Cologne
Playground#4
Be Water #1 Pluvial at b-part/loop Berlin
Opening September 6th 6pm
B-Part Am Gleisdreieck
Luckenwalder Straße 6b
10963 Berlin
Duration: Sept. 7th – Oct.12th
Opening hours: Wed-Sat, 2-6 pm
curated by LOOP – RAUM FÜR AKTUELLE KUNST / Rüdiger Lange
Continue reading “Be Water #1 Pluvial at b-part/loop Berlin”
Pluvial & Timekeeper at ATI Vienna
Opening Juli 19th 16h
at the Institute of Atomic and Subatomic Physics of the TU Vienna Stadionallee 2 1020 Vienna
Unter Strom – Endmoräne
The Cosmic and the Affective / Atuning-in Wind
new site-specific sonic experiment with differently tuned aeolian ‘string-drum-horns’ part of Sono-Choreographic-Collective
Opening | Samstag, 22. Juni 2019 15 Uhr summer workshop 2019 and exhibition of Endmoräne e.V.
in the former Turbinenhalle at the Stienitzsee, Berliner Str. 13A, 15378 Rüdersdorf close to Berli
Paper in Leonardo Journal 52-1
A paper by Kerstin Ergenzinger appears in the current print edition of Leonardo Magazine. The article ‘Nubis et Nuclei: A Study on Noise and Precision’ describes the research and development of what would later become her work Pluvial.
Volume 52 | Issue 1 | February 2019
p.70-70
Navigating Noise, Possible Music
Artist Talk by Kerstin Ergenzinger: Acts of Orientation – on sonic surroundings and tactile rhythms & Book presentation by Julia Eckhardt (ed.):Grounds for Possible Music: on gender, voice, language, and identity, Errant Bodies Press 2018
Tuesday, November 20th 19:30h
What if it won´t stop here?
New work Pluvial & Condensed Time at the show What if it won´t stop here?
Vernissage: October 18, 7pm
Running: October 18–31, 2018
&
Book with my collaborative chapter: on rhythmanalysis with Elenie Ikoniadou
ACTS OF ORIENTATION Salon der Ästhetischen Experimente @ Haus der Kulturen der Welt Berlin
Based on investigations on how to orientate oneself at the borderline of noise and signal (e.g. the installation “Navigating Noise“) and on the just released interdisciplinary publication “Navigating Noise” (ed. Nathanja van Dijk, Kerstin Ergenzinger, Sebastian Schwesinger and Christian Kassung), the Salon “Acts of Orientation” questions as well the notion of rhythm as a middle force between regularity and chaos as the role of gaps and lines in orientation processes such as sensing, recording, reconstructing, translating and interpreting.
The book: Navigating Noise
Book Launch: Monday January 29th 19h
Presentation of the interdiciplinary publication “Navigating Noise” at Buchhandlung Walther König Berlin Continue reading “The book: Navigating Noise”