The sound and light installation of our Common Grounds collaborative artistic and scientific research project that sonifies arctic weather data will be showing at the AWI campus in Potsdam
See details here.
A sharing from sensing + sense-making between Montevideo + Rostock
16h – 22h
U5 + M21 + M10 > FrankfurterTor
We share our work as a group of artists, researchers and urbanists from South America and Europe, who worked for two weeks in Montevideo and Rostock, reflecting on sound as a contextual phenomenon of urban space.
with: Florencia Curci (AR) Kerstin Ergenzinger (D) Cristian Espinoza (CL/UY) Fernando Godoy (CL) Nika Schmitt (NL) Rene Rissland (D) Lourdes Silva (UY) Carsten Stabenow (D) Pol Villasuso (UY) ZAGO (Eugenia González + Leonello Zambón) (AR)
opening on the evening of the 1.2. with a concert performance of a new set of Playground#N from our Sono-Choreographic-Collective. Live but due to C-restriction only with a small group of invited participants.
exhibition times: 2.-18. 2. 22 from Mo–Fr: 14–18 Uhr Galerie der HBK Braunschweig (HBK Only)
External guest can make appointments with Sabine Maag: veranstaltungen(at)hbk-bs.de
parallel to the opening of Height, Pace, Consistency Helene Appel, Pauline M´barek and I launched the publication Open Skies. It is the documentation of our seminar collaboration at the HBK Braunschweig that started during the summer semester 2020. Throughout the digital maze of the pandemic we worked on a cross-media, space- & site-specfic exhibition project. As a result in June 2021 the students worked together for 11 days on the area of the H_LLE Braunschweig closing with a public exhibition weekend on the 26th and 27th of June.
Whiskers in Space are part of the exhibition program of Device_art festival of art, robotics and new technologies at Museum of Contemporary art in Zagreb by Kontejner.
As this year’s festival concept, “Machine Does Not Give Change” invites us to rethink our increasingly intimate relationship with technology in a time of constant unpredictability and profound changes. Device_art 7.021 is developed by Kontejner in collaboration with a group of curators from ZKM | Center for Art and Media from Karlsruhe and is conceived as a dialogue between the German and Croatian “device art” scene.
Artistic Research Meeting by Sonic and Peripatetic Means in Dark Ecologies, Globalization and Crisis | MONTEVIDEO 2021 – ROSTOCK 2022
First expedition in Montevideo/Uruguay from November 1st – 14th. Participants: Kerstin Ergenzinger (DE), Nika Schmitt (DE/LU), Fernando Godoy (CL), Leonello Zambón (AR), Eugenia González (UY-AR), Lourdes Silva (UY), René Rissland (DE), Cristian Espinoza (CL/UY), Pol Villasuso (UY) and Carsten Stabenow (DE)
ongoing log: territorioespecifico.org
9 Days 8 Nights
ZOSSENER STRASSE 34, HH, KREUZBERG, BERLIN
With our project Common Grounds Sounding out Arctic Warming, Bnaya Halperin-Kaddari and I in collaboration with Julia Boike at AWI Potsdam won the HIDA X ATD Fellowship from the Helmholtz Information & Data Science Academy (HIDA) and the Academy for Theater and Digitality. We are really looking forward to dive into this joint exploration!
Image credit © Niko Bornemann
Sadly the public space installation was canceled by Deutsche Bahn, now at Alte Münze Foyer a solo electro-acoustic string-drum horn is chanting indoors in a windless-single channel version of the work.
An invitation to an online event through “Vierte Welt” Berlin. There will be a joint screening followed by a short talk. Please join with a comfortable screen and nice headphones.
Opening September 6th 6pm
B-Part Am Gleisdreieck
Luckenwalder Straße 6b
Duration: Sept. 7th – Oct.12th
Opening hours: Wed-Sat, 2-6 pm
curated by LOOP – RAUM FÜR AKTUELLE KUNST / Rüdiger Lange
Opening Juli 19th 16h
at the Institute of Atomic and Subatomic Physics of the TU Vienna Stadionallee 2 1020 Vienna
new site-specific sonic experiment with differently tuned aeolian ‘string-drum-horns’ part of Sono-Choreographic-Collective
A paper by Kerstin Ergenzinger appears in the current print edition of Leonardo Magazine. The article ‘Nubis et Nuclei: A Study on Noise and Precision’ describes the research and development of what would later become her work Pluvial.
Volume 52 | Issue 1 | February 2019
Artist Talk by Kerstin Ergenzinger: Acts of Orientation – on sonic surroundings and tactile rhythms & Book presentation by Julia Eckhardt (ed.):Grounds for Possible Music: on gender, voice, language, and identity, Errant Bodies Press 2018
Tuesday, November 20th 19:30h
Based on investigations on how to orientate oneself at the borderline of noise and signal (e.g. the installation “Navigating Noise“) and on the just released interdisciplinary publication “Navigating Noise” (ed. Nathanja van Dijk, Kerstin Ergenzinger, Sebastian Schwesinger and Christian Kassung), the Salon “Acts of Orientation” questions as well the notion of rhythm as a middle force between regularity and chaos as the role of gaps and lines in orientation processes such as sensing, recording, reconstructing, translating and interpreting.