Concert Lecture ‘Instrumentalities for Common Grounds’ at the Performing Arts & Digitalität Festival Wiesbaden.
Sa. 26.10. 16h & 19h
So. 27.10. 11h & 14h
Exhibition of the sonic environment Twenty Springs stemming from the Sono-Choreographic Collectives collaborative research Common Grounds on per-sonifying permafrost data with Julia Boike from the Alfred Wegener Institut Potsdam, together with a Guided Concert and Listening Session at Malmö Konsthall from 18th-22nd of October 2023
SONIC ISLANDS – Mirrored perceptions between Tierra del Fuego + Rügen
March and September 2023
SONIC ISLANDS focuses on the various auditory aspects of the TERRA IGNOTAproject and is part of TIF 2023/24. We are interested in the meaning of sound as a semantic system and as a form of artistic articulation. Questions about origin, identity, intercultural understanding but also about perception, legibility and interaction with the environment, social processes and structures beyond visually connoted reference systems are the subject of our joint research. Listening and making audible to stimulate changes of perspective in the process of artistic research and knowledge production as well as in communicating to an audience.
Concert Lecture of the Sono-Choreographic Collective at the Grand Opening of the new Academy for Theatre and Digitality, Dortmund – 2nd of September 2023 & at the Impuls Festival für Neue Musik, Leipzig – 13th of October
In Instrumentalities the Sono-Choreographic Collective unpacks aspects of their artistic-scientific research Common Grounds. Scaling 20 years of hourly environmental data into 60 minutes, this participatory concert-lecture presents some of the methods developed for listening, sensing and understanding climate change from an embodied perspective. These include various sonic and somatic techniques that connect the planetary scale with individual and collective sensory scales of participants. The concert-lecture unfolds around a table that is a hybrid surface for discourse, policy, strategy, negotiation, communication and communion.
Concert Lecture of the Sono-Choreographic Collective at “Have you tried turning it off and on again?” / Jahreskonferenz der Dramaturgischen Gesellschaft in Mühlheim Ruhr.
Titled Instrumentalities for Common Grounds, this participatory lecture-concert unpacks aspects of our work in Common Grounds, and presents some of the methods we developed for listening, sensing and understanding climate change from embedded perspectives. These include various scaling techniques that come together to establish what we call mental-mergings: Techniques that give access to sensing planetary phenomena and thus connecting the macro-global perspective with the microcosms of individual, somatic selves.
I am part of the just started Terra Ignota field trip 1.st of March – 13 th of March and forum 14.st of March – 17 th of March 23 at Tierra de Fuego Chile.
Here you find more information and can follow our journey.
Terra Ignota Forum (TIF) is a field laboratory that seeks to develop and implement a contemporary archive on the so-called “intercultural contact zone” (Selk’nam, Kawesqar and Yagán) located in Yendegaia National Park (YNP). The project is deployed in two stages, the first is the continuation of our interdisciplinary research in the territory and field forum (2023). The process and research will be documented and published in different media, individual artistic projects developed further and presented in the second stage to the public beginning of 2024 at the Universidad de Magallanes, Punta Arenas.
Julia Boike, Bnaya Halperin-Kaddari and me wrote an invited arcticle: Perspectives on Listening to Permafrost to contribute to the blog of the Cryospheric Sciences Division of the European Geosciences Union (EGU):
The development of the sound and light installation of our Common Grounds collaborative artistic and scientific research project that sonifies environmental data from the permafrost research will be presented and discussed at the AWI campus in Potsdam
See details here.
A sharing from sensing + sense-making between Montevideo + Rostock
Saturday 14.05.2022
16h – 22h
liebig12
Liebigstraße 12
10247 Berlin
U5 + M21 + M10 > FrankfurterTor
We share our work as a group of artists, researchers and urbanists from South America and Europe, who worked for two weeks in Montevideo and Rostock, reflecting on sound as a contextual phenomenon of urban space.
with: Florencia Curci (AR) Kerstin Ergenzinger (D) Cristian Espinoza (CL/UY) Fernando Godoy (CL) Nika Schmitt (NL) Rene Rissland (D) Lourdes Silva (UY) Carsten Stabenow (D) Pol Villasuso (UY) ZAGO (Eugenia González + Leonello Zambón) (AR)
Continue reading “Expeditions In Specific Territories @liebig12 Berlin”
Bnaya Halperin-Kaddari, Kiran Kumar we have finally finished our new Sono-Choreographic-Collective´s homepage with our research concepts and documentation from the last 2-3 years since we started our joint path. You are very welcome to visit and tune in @sonochoreographic.net
exhibition with Helene Appel and Pauline M’barek closing our shared Dorothea-Erxleben fellowships at the HBK Braunschweig
opening on the evening of the 1.2. with a concert performance of a new set of Playground#N from our Sono-Choreographic-Collective. Live but due to C-restriction only with a small group of invited participants.
exhibition times: 2.-18. 2. 22 from Mo–Fr: 14–18 Uhr Galerie der HBK Braunschweig (HBK Only)
External guest can make appointments with Sabine Maag: veranstaltungen(at)hbk-bs.de
parallel to the opening of Height, Pace, Consistency Helene Appel, Pauline M´barek and I launched the publication Open Skies. It is the documentation of our seminar collaboration at the HBK Braunschweig that started during the summer semester 2020. Throughout the digital maze of the pandemic we worked on a cross-media, space- & site-specfic exhibition project. As a result in June 2021 the students worked together for 11 days on the area of the H_LLE Braunschweig closing with a public exhibition weekend on the 26th and 27th of June.
Artistic Research Meeting by Sonic and Peripatetic Means in Dark Ecologies, Globalization and Crisis | MONTEVIDEO 2021 – ROSTOCK 2022
First expedition in Montevideo/Uruguay from November 1st – 14th. Participants: Kerstin Ergenzinger (DE), Nika Schmitt (DE/LU), Fernando Godoy (CL), Leonello Zambón (AR), Eugenia González (UY-AR), Lourdes Silva (UY), René Rissland (DE), Cristian Espinoza (CL/UY), Pol Villasuso (UY) and Carsten Stabenow (DE)
ongoing log: territorioespecifico.org
9 Days 8 Nights
sign, CIAT – Contemporary Institute for Art & Thought
ZOSSENER STRASSE 34, HH, KREUZBERG, BERLIN
With our project Common Grounds Sounding out Arctic Warming, Bnaya Halperin-Kaddari and I in collaboration with Julia Boike at AWI Potsdam won the HIDA X ATD Fellowship from the Helmholtz Information & Data Science Academy (HIDA) and the Academy for Theater and Digitality. We are really looking forward to dive into this joint exploration!
Image credit © Niko Bornemann
New work Whistleblowers in public space with Sono-Choreographic Collective at Dystopia Sound Art Festival Berlin: Oct. 16 – Nov. 01 2020 –
Sadly the public space installation was canceled by Deutsche Bahn, now at Alte Münze Foyer a solo electro-acoustic string-drum horn is chanting indoors in a windless-single channel version of the work.
With our Sono-Choreographic Collective Bnaya Halperin-Kaddari, Kiran Kumar and myself contributed with “Playing Grounds: a polymodal essay” to the latest issue of the herri magazine.
Continue reading “Sono-Choreographic Collective contributes to herri #4”
An invitation to an online event through “Vierte Welt” Berlin. There will be a joint screening followed by a short talk. Please join with a comfortable screen and nice headphones.
Gamified ritual for amplified tops, players, inductors and live-video.
A performative concert with Ensemble Musikfabrik
Sunday 3rd November 8pm
WDR Funkhaus Wallraffplatz Cologne
The Cosmic and the Affective / Atuning-in Wind
new site-specific sonic experiment with differently tuned aeolian ‘string-drum-horns’ part of Sono-Choreographic-Collective
Opening | Samstag, 22. Juni 2019 15 Uhr summer workshop 2019 and exhibition of Endmoräne e.V.
in the former Turbinenhalle at the Stienitzsee, Berliner Str. 13A, 15378 Rüdersdorf close to Berli
Based on investigations on how to orientate oneself at the borderline of noise and signal (e.g. the installation “Navigating Noise“) and on the just released interdisciplinary publication “Navigating Noise” (ed. Nathanja van Dijk, Kerstin Ergenzinger, Sebastian Schwesinger and Christian Kassung), the Salon “Acts of Orientation” questions as well the notion of rhythm as a middle force between regularity and chaos as the role of gaps and lines in orientation processes such as sensing, recording, reconstructing, translating and interpreting.
Book Launch: Monday January 29th 19h
Presentation of the interdiciplinary publication “Navigating Noise” at Buchhandlung Walther König Berlin Continue reading “The book: Navigating Noise”
