Category: Collaboration

° — Collaboration, Sound, Work

Expeditions In Specific Territories @liebig12 Berlin

A sharing from sensing + sense-making between Montevideo + Rostock

Saturday 14.05.2022
16h – 22h
liebig12
Liebigstraße 12
10247 Berlin
U5 + M21 + M10 > FrankfurterTor

We share our work as a group of artists, researchers and urbanists from South America and Europe, who worked for two weeks in Montevideo and Rostock, reflecting on sound as a contextual phenomenon of urban space.

with: Florencia Curci (AR) Kerstin Ergenzinger (D) Cristian Espinoza (CL/UY) Fernando Godoy (CL) Nika Schmitt (NL) Rene Rissland (D) Lourdes Silva (UY) Carsten Stabenow (D) Pol Villasuso (UY) ZAGO (Eugenia González + Leonello Zambón) (AR)

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° — Collaboration, Publication, Work

sonochoreographic.net

Bnaya Halperin-Kaddari, Kiran Kumar we have finally finished our new Sono-Choreographic-Collective´s homepage with our research concepts and documentation from the last 2-3 years since we started our joint path. You are very welcome to visit and tune in @sonochoreographic.net

° — Collaboration, Installation, Performance, Sound, Work

Height, Pace, Consistency

exhibition with Helene Appel and Pauline M’barek closing our shared Dorothea-Erxleben fellowships at the HBK Braunschweig

opening on the evening of the 1.2. with a concert performance of a new set of Playground#N from our Sono-Choreographic-Collective. Live but due to C-restriction only with a small group of invited participants.

exhibition times: 2.-18. 2. 22 from Mo–Fr: 14–18 Uhr Galerie der HBK Braunschweig (HBK Only)

External guest can make appointments with Sabine Maag:  veranstaltungen(at)hbk-bs.de

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° — Collaboration, Publication, Teaching

Open Skies

parallel to the opening of Height, Pace, Consistency  Helene Appel, Pauline M´barek and I launched the publication Open Skies. It is the documentation of our seminar collaboration at the HBK Braunschweig that started during the summer semester 2020. Throughout the digital maze of the pandemic we worked on a cross-media, space- & site-specfic exhibition project. As a result in June 2021 the students worked together for 11 days on the area of the H_LLE Braunschweig closing with a public exhibition weekend  on the 26th and 27th of June.

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° — Collaboration, Sound

Expeditions in Specific Territory Rostock-Montevideo

Artistic Research Meeting by Sonic and Peripatetic Means in Dark Ecologies, Globalization and Crisis | MONTEVIDEO 2021 – ROSTOCK 2022

First expedition in Montevideo/Uruguay from November 1st – 14th. Participants: Kerstin Ergenzinger (DE), Nika Schmitt (DE/LU), Fernando Godoy (CL), Leonello Zambón (AR), Eugenia González (UY-AR), Lourdes Silva (UY), René Rissland (DE), Cristian Espinoza (CL/UY), Pol Villasuso (UY) and Carsten Stabenow (DE)

ongoing log: territorioespecifico.org

 

° — Collaboration, Installation, Performance, Sound, Work

9 Days 8 Nights

 9 Days 8 Nights

Sono-Choreographic Collective
Kerstin Ergenzinger & Bnaya Halperin-Kaddari & Kiraṇ Kumār
Exhibition: 30.8. – 7.9 2021:
Due to the current situation no “normal opening” will take place. We invite you to visit the exhibition in the presence of the artists:
August 30th from 4 – 7:30 pm
Further opening times during the exhibition time:
open daily 5:30 – 7.30 pm&on appointment
Performance: 7.9.21 at 7pm

sign, CIAT – Contemporary Institute for Art & Thought

ZOSSENER STRASSE 34, HH, KREUZBERG, BERLIN

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° — Collaboration, Installation, Sculpture, Sound, Work

Unter Strom – Endmoräne

The Cosmic and the Affective  / Atuning-in Wind

new site-specific sonic experiment with differently tuned aeolian ‘string-drum-horns’  part of  Sono-Choreographic-Collective 

Opening | Samstag, 22. Juni 2019  15 Uhr  summer workshop 2019 and exhibition of Endmoräne e.V.
in the former Turbinenhalle at the Stienitzsee, Berliner Str. 13A, 15378 Rüdersdorf close to Berli

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° — Collaboration, Performance, Work

ACTS OF ORIENTATION Salon der Ästhetischen Experimente @ Haus der Kulturen der Welt Berlin

Based on investigations on how to orientate oneself at the borderline of noise and signal (e.g. the installation “Navigating Noise“) and on the just released interdisciplinary publication “Navigating Noise” (ed. Nathanja van Dijk, Kerstin Ergenzinger, Sebastian Schwesinger and Christian Kassung), the Salon “Acts of Orientation” questions as well the notion of rhythm as a middle force between regularity and chaos as the role of gaps and lines in orientation processes such as sensing, recording, reconstructing, translating and interpreting.

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