With our project Common Ground Sounding out Arctic Warming, Bnaya Halperin-Kaddari and I in collaboration with Julia Boike at AWI Potsdam won the HIDA X ATD Fellowship from the Helmholtz Information & Data Science Academy (HIDA) and the Academy for Theater and Digitality. We are really looking forward to dive into this joint exploration!
Image credit: ce-wedge polygons (Photo: Konstanze Piel)
New work Whistleblowers in public space with Sono-Choreographic Collective at Dystopia Sound Art Festival Berlin: Oct. 16 – Nov. 01 2020 –
Sadly the public space installation was canceled by Deutsche Bahn, now at Alte Münze Foyer a solo electro-acoustic string-drum horn is chanting indoors in a windless-single channel version of the work.
With our Sono-Choreographic Collective Bnaya Halperin-Kaddari, Kiran Kumar and myself contributed with “Playing Grounds: a polymodal essay” to the latest issue of the herri magazine.
Continue reading “Sono-Choreographic Collective contributes to herri #4”
An invitation to an online event through “Vierte Welt” Berlin. There will be a joint screening followed by a short talk. Please join with a comfortable screen and nice headphones.
Gamified ritual for amplified tops, players, inductors and live-video.
A performative concert with Ensemble Musikfabrik
Sunday 3rd November 8pm
WDR Funkhaus Wallraffplatz Cologne
The Cosmic and the Affective / Atuning-in Wind
new site-specific sonic experiment with differently tuned aeolian ‘string-drum-horns’ part of Sono-Choreographic-Collective
Opening | Samstag, 22. Juni 2019 15 Uhr summer workshop 2019 and exhibition of Endmoräne e.V.
in the former Turbinenhalle at the Stienitzsee, Berliner Str. 13A, 15378 Rüdersdorf close to Berli
Based on investigations on how to orientate oneself at the borderline of noise and signal (e.g. the installation “Navigating Noise“) and on the just released interdisciplinary publication “Navigating Noise” (ed. Nathanja van Dijk, Kerstin Ergenzinger, Sebastian Schwesinger and Christian Kassung), the Salon “Acts of Orientation” questions as well the notion of rhythm as a middle force between regularity and chaos as the role of gaps and lines in orientation processes such as sensing, recording, reconstructing, translating and interpreting.
