Playground#4 - projection view open studio on 21 of September 2019 in the Lange Nacht of the Gerichtshöfe, Berlin © Sono-Choreographic Collective

Tuned electromagnetic, cymbal spin-top © Sono-Choreographic Collective

The Cosmic and the Affective - Atuning-in Wind © Kerstin Ergenzinger and Sono-Choreographic Collective

Moving Sound Aligned © Sono-Choreographic Collective

Moving Sound Aligned © Sono-Choreographic Collective

Moving Sound Aligned © Sono-Choreographic Collective

Sono-Choreographic Collective

a collective for transdisciplinary art and research comprising Kerstin Ergenzinger, Bnaya Halperin-Kaddari and Kiran Kumar

Artists’ Statement

From within the practices of sculpture, music and dance, we declare a commitment to subtlety and nuance as methods with which to seek out, affirm and share a life- ness that we see as so important to our world today. Towards this, our collaborative practice invites bodies to collect and connect in order to navigate sensory entanglements.

These entanglements happen within our collective and with a wider public as Sono-Choreographic Playgrounds. Our Playgrounds are interspaces of installation, performance, instrumental music and writing practices. They are at once laboratory-studio-garden-kitchen spaces for intensifying our states of knowing and unknowing.

Opening up our experiences to more than human realms, they invite us to collectively excavate the poetic from within the scientific, the sonic from stasis, and the gesture from a sea of actions.

In the moment we are developing the audio-visual sono-choreography Playground#4, which we played and presented at an open studio concert on 21 of September 2019 in the Lange Nacht of the Gerichtshöfe, Berlin

More from the new family of instruments based on the principle of a spin-top:

Links to other Sono-Choreographies:

Playground#1 – Moving Sound Aligned

The Cosmic and the Affective  – Atuning-in Wind


About the collective

Kerstin Ergenzinger is a visual and sonic artist working across the fields of sculpture, sound, kinetics, light and drawing. The inextricable relations between body and world, perception and the perceived, sensing and sense making are central themes of her practice.

Bnaya Halperin-Kaddari is a musician and sonic artist. His work explores the intricate connections between sound and space, and music’s place-making abilities. His work has taken the form of concert music, improvisation performance and installation.

Kiran Kumar is a dance artist, researcher and writer. His work focuses on unpacking understandings of the human body-mind through a trifold practice of dance as art, science and ritual, and on the proposals for change that these understandings may hold for our contemporary world.

The Sono-Choreographic Collective was born out of instinctive connections that developed between us during our individual fellowship term at the Berlin Centre for Advanced Studies in Arts and Sciences between 2016 and 2018. Through many conversations and studio visits during this period, we realised that we are indeed investigating similar spaces of the subtle through the different means of sculpture, music and dance.

“Conjoining three bodies of knowledge in view of the common question of environmental relations, Ergenzinger, Halperin Kaddari and Kumar create a unique possibility for articulating vital concerns of the moment: the nervous intelligence of matter, the sonic depth of lived environmental perception, and the fundamental plasticity of space and time are rendered tangible in their collaborative work. They perform installations, or install conditions for performance, as a testing ground for the confluence of their knowledge and desire.”
– Jan Verwoert, Curator

Collaboration Performance Sculpture Sound / since 2018 (ongoing)

a project group by Kerstin Ergenzinger, Bnaya Halperin-Kaddari and Kiran Kumar