Exhibition Sensing the Unknown, part of Chengdu Biennale Time Gravity
16/07/2023 – 22/11/2023 at Chengdu Contemporary Art Museum
Curator: Philipp ZieglerArtists: AATB, Ani Liu 艾多•福伊鲁/ 梅洛迪 •穆塞特, Edo Fouilloux & Mélodie Mousset 安娜•马南金娜, Anna Manankina 贝恩德•林德曼 / 德里克 •豪芬, Bernd Lintermann & Derek Hauffen, 丹尼尔·卡诺加 Daniel Canogar, ecoLogicStudio , 郭城 Guo Cheng, 金允哲 Yunchul Kim, 卡思汀·艾葛琴 Kerstin Ergenzinger, 克丽斯塔·佐梅雷尔/劳伦·米尼奥诺 Christa Sommerer & Larent Mignonneau, 林博彦 Lam Pok Yin, 林科 Lin Ke, 刘窗 Liu Chuang, 刘娃 Liu Wa, 马克·李/曲晓宇/谢尔文·萨雷米, Marc Lee & lris Qu Xiaoyu & Shervin Saremi 迈克尔·比利茨基/ 卡米拉·B.里希特, Michael Bielicky & Kamila B.Richter, Quadrature, 徐文恺 aaajiao, 宇宙万物 Universal Everything, 朱斯蒂娜·埃马尔 Justine Emard
Concert Lecture of the Sono-Choreographic Collective at “Have you tried turning it off and on again?” / Jahreskonferenz der Dramaturgischen Gesellschaft in Mühlheim Ruhr.
Titled Instrumentalities for Common Grounds, this participatory lecture-concert unpacks aspects of our work in Common Grounds, and presents some of the methods we developed for listening, sensing and understanding climate change from embedded perspectives. These include various scaling techniques that come together to establish what we call mental-mergings: Techniques that give access to sensing planetary phenomena and thus connecting the macro-global perspective with the microcosms of individual, somatic selves.
A sharing from sensing + sense-making between Montevideo + Rostock
Saturday 14.05.2022
16h – 22h
liebig12
Liebigstraße 12
10247 Berlin
U5 + M21 + M10 > FrankfurterTor
We share our work as a group of artists, researchers and urbanists from South America and Europe, who worked for two weeks in Montevideo and Rostock, reflecting on sound as a contextual phenomenon of urban space.
with: Florencia Curci (AR) Kerstin Ergenzinger (D) Cristian Espinoza (CL/UY) Fernando Godoy (CL) Nika Schmitt (NL) Rene Rissland (D) Lourdes Silva (UY) Carsten Stabenow (D) Pol Villasuso (UY) ZAGO (Eugenia González + Leonello Zambón) (AR)
Continue reading “Expeditions In Specific Territories @liebig12 Berlin”
Bnaya Halperin-Kaddari, Kiran Kumar we have finally finished our new Sono-Choreographic-Collective´s homepage with our research concepts and documentation from the last 2-3 years since we started our joint path. You are very welcome to visit and tune in @sonochoreographic.net
exhibition with Helene Appel and Pauline M’barek closing our shared Dorothea-Erxleben fellowships at the HBK Braunschweig
opening on the evening of the 1.2. with a concert performance of a new set of Playground#N from our Sono-Choreographic-Collective. Live but due to C-restriction only with a small group of invited participants.
exhibition times: 2.-18. 2. 22 from Mo–Fr: 14–18 Uhr Galerie der HBK Braunschweig (HBK Only)
External guest can make appointments with Sabine Maag: veranstaltungen(at)hbk-bs.de
Whiskers in Space are part of the exhibition program of Device_art festival of art, robotics and new technologies at Museum of Contemporary art in Zagreb by Kontejner.
As this year’s festival concept, “Machine Does Not Give Change” invites us to rethink our increasingly intimate relationship with technology in a time of constant unpredictability and profound changes. Device_art 7.021 is developed by Kontejner in collaboration with a group of curators from ZKM | Center for Art and Media from Karlsruhe and is conceived as a dialogue between the German and Croatian “device art” scene.
Pluvial at Lab30 Media Festival in Augsburg from the 28.10 – 31.10.2021
Together with a great collection of other installation works Pluvial is part of the Lost Art Festival at an abandoned substation / Umspannwerk in Reinickendorf Berlin from the 24th – 26th of September.
9 Days 8 Nights
sign, CIAT – Contemporary Institute for Art & Thought
ZOSSENER STRASSE 34, HH, KREUZBERG, BERLIN
New work Whistleblowers in public space with Sono-Choreographic Collective at Dystopia Sound Art Festival Berlin: Oct. 16 – Nov. 01 2020 –
Sadly the public space installation was canceled by Deutsche Bahn, now at Alte Münze Foyer a solo electro-acoustic string-drum horn is chanting indoors in a windless-single channel version of the work.
With our Sono-Choreographic Collective Bnaya Halperin-Kaddari, Kiran Kumar and myself contributed with “Playing Grounds: a polymodal essay” to the latest issue of the herri magazine.
Continue reading “Sono-Choreographic Collective contributes to herri #4”
Pluvial just travelled to Linz and is part of the AIxMusic Festival Ars Electronica 2020 in „Kepler’s Garden“ JKU-Campus Linz.
Open to public from Friday 11th until Sunday 13th of September. You can read more about this years Ars Electronica program and about Pluvial.
Published in: Reenactments in Kunst, Gestaltung, Wissenschaft und Technologie Reenactments in Art, Design, Science and Technology Salon Digital Band / Vol. 1 – PDF
An invitation to an online event through “Vierte Welt” Berlin. There will be a joint screening followed by a short talk. Please join with a comfortable screen and nice headphones.
Open again and extended –> 21. Juni
Link catalog degree_show – out of KHM curated by Gertrud Peters and Mischa Kuball
15.2.-21.6.
Di-So 11-18h
KIT – Kunst im Tunnel
Mannesmannufer 1b
40213 Düsseldorf
Opening September 6th 6pm
B-Part Am Gleisdreieck
Luckenwalder Straße 6b
10963 Berlin
Duration: Sept. 7th – Oct.12th
Opening hours: Wed-Sat, 2-6 pm
curated by LOOP – RAUM FÜR AKTUELLE KUNST / Rüdiger Lange
Continue reading “Be Water #1 Pluvial at b-part/loop Berlin”
Opening Juli 19th 16h
at the Institute of Atomic and Subatomic Physics of the TU Vienna Stadionallee 2 1020 Vienna
The Cosmic and the Affective / Atuning-in Wind
new site-specific sonic experiment with differently tuned aeolian ‘string-drum-horns’ part of Sono-Choreographic-Collective
Opening | Samstag, 22. Juni 2019 15 Uhr summer workshop 2019 and exhibition of Endmoräne e.V.
in the former Turbinenhalle at the Stienitzsee, Berliner Str. 13A, 15378 Rüdersdorf close to Berli
A paper by Kerstin Ergenzinger appears in the current print edition of Leonardo Magazine. The article ‘Nubis et Nuclei: A Study on Noise and Precision’ describes the research and development of what would later become her work Pluvial.
Volume 52 | Issue 1 | February 2019
p.70-70
Artist Talk by Kerstin Ergenzinger: Acts of Orientation – on sonic surroundings and tactile rhythms & Book presentation by Julia Eckhardt (ed.):Grounds for Possible Music: on gender, voice, language, and identity, Errant Bodies Press 2018
Tuesday, November 20th 19:30h
New work Pluvial & Condensed Time at the show What if it won´t stop here?
Vernissage: October 18, 7pm
Running: October 18–31, 2018
&
Book with my collaborative chapter: on rhythmanalysis with Elenie Ikoniadou
Based on investigations on how to orientate oneself at the borderline of noise and signal (e.g. the installation “Navigating Noise“) and on the just released interdisciplinary publication “Navigating Noise” (ed. Nathanja van Dijk, Kerstin Ergenzinger, Sebastian Schwesinger and Christian Kassung), the Salon “Acts of Orientation” questions as well the notion of rhythm as a middle force between regularity and chaos as the role of gaps and lines in orientation processes such as sensing, recording, reconstructing, translating and interpreting.
