Concert Lecture ‘Instrumentalities for Common Grounds’ at the Performing Arts & Digitalität Festival Wiesbaden.
Sa. 26.10. 16h & 19h
So. 27.10. 11h & 14h
Concert Lecture of the Sono-Choreographic Collective at the Grand Opening of the new Academy for Theatre and Digitality, Dortmund – 2nd of September 2023 & at the Impuls Festival für Neue Musik, Leipzig – 13th of October
In Instrumentalities the Sono-Choreographic Collective unpacks aspects of their artistic-scientific research Common Grounds. Scaling 20 years of hourly environmental data into 60 minutes, this participatory concert-lecture presents some of the methods developed for listening, sensing and understanding climate change from an embodied perspective. These include various sonic and somatic techniques that connect the planetary scale with individual and collective sensory scales of participants. The concert-lecture unfolds around a table that is a hybrid surface for discourse, policy, strategy, negotiation, communication and communion.
Concert Lecture of the Sono-Choreographic Collective at “Have you tried turning it off and on again?” / Jahreskonferenz der Dramaturgischen Gesellschaft in Mühlheim Ruhr.
Titled Instrumentalities for Common Grounds, this participatory lecture-concert unpacks aspects of our work in Common Grounds, and presents some of the methods we developed for listening, sensing and understanding climate change from embedded perspectives. These include various scaling techniques that come together to establish what we call mental-mergings: Techniques that give access to sensing planetary phenomena and thus connecting the macro-global perspective with the microcosms of individual, somatic selves.
exhibition with Helene Appel and Pauline M’barek closing our shared Dorothea-Erxleben fellowships at the HBK Braunschweig
opening on the evening of the 1.2. with a concert performance of a new set of Playground#N from our Sono-Choreographic-Collective. Live but due to C-restriction only with a small group of invited participants.
exhibition times: 2.-18. 2. 22 from Mo–Fr: 14–18 Uhr Galerie der HBK Braunschweig (HBK Only)
External guest can make appointments with Sabine Maag: veranstaltungen(at)hbk-bs.de
9 Days 8 Nights
sign, CIAT – Contemporary Institute for Art & Thought
ZOSSENER STRASSE 34, HH, KREUZBERG, BERLIN
23.11.2020 – Studiovisit Salon Digital
Online as part of the University of the Arts Bremen series of salon-style gatherings titled “Spectacle: Reenactments in the Arts, Design, Science and Technology.” Continue reading “Polysensorial Navigations”
With our Sono-Choreographic Collective Bnaya Halperin-Kaddari, Kiran Kumar and myself contributed with “Playing Grounds: a polymodal essay” to the latest issue of the herri magazine.
Continue reading “Sono-Choreographic Collective contributes to herri #4”
An invitation to an online event through “Vierte Welt” Berlin. There will be a joint screening followed by a short talk. Please join with a comfortable screen and nice headphones.
Gamified ritual for amplified tops, players, inductors and live-video.
A performative concert with Ensemble Musikfabrik
Sunday 3rd November 8pm
WDR Funkhaus Wallraffplatz Cologne
Artist Talk by Kerstin Ergenzinger: Acts of Orientation – on sonic surroundings and tactile rhythms & Book presentation by Julia Eckhardt (ed.):Grounds for Possible Music: on gender, voice, language, and identity, Errant Bodies Press 2018
Tuesday, November 20th 19:30h
Based on investigations on how to orientate oneself at the borderline of noise and signal (e.g. the installation “Navigating Noise“) and on the just released interdisciplinary publication “Navigating Noise” (ed. Nathanja van Dijk, Kerstin Ergenzinger, Sebastian Schwesinger and Christian Kassung), the Salon “Acts of Orientation” questions as well the notion of rhythm as a middle force between regularity and chaos as the role of gaps and lines in orientation processes such as sensing, recording, reconstructing, translating and interpreting.
